Teng slips in a hidden track on Warm Strangers in which she sings in her parents' native-tongue, Mandarin.My version of A Christmas Carrol is definitely worth a read… i have some VERY interesting views #achristmascarol #gcse #gcse2023 #bobcrachit #jacobmarley #englishliterature #exams #fail #meme #bobmarley #lesbian #wlw #UKSummer #lesbiantiktokers #LGBTQ #masc #mascsoftiktok #summer #summer2023 #fems #spring #summer2023loading #lgbt #toxicrelationships #obsessed #thenicantsee #women 's #gymtok #mascs #scottishlass #foryou #foryourpage #schoollife #school #foryou #foryourpage #foryoupage #fypシ゚viral #viral #funny #makemefamous #itshardtobelieve #becauseimnot #thatsinarack #wlwtiktok□️□ #lgbt□ #lgbt□️□ġ.8K Likes, 36 Comments. As she's told the Seattle Post-Intelligencer, “I can't detect anything Asian in what I do.” Not that she doesn't stay true to her roots. What's more, the fact that there's nothing “ethnic” about Teng's music can only be an asset in the Asian-American struggle for media representation. “An Atheist Christmas Carol,” the album's final track, delivers a simple and elegant performance that puts Sarah McLachlan to shame. Warm Strangers features 11 tracks in all. “ Mission Street” is another album highlight-a beautiful ballad in which Teng plays the piano, acoustic guitar, a bag of bottles, and a broom. In addition, “Harbor” features poetic lyrics like: “fear is the brightest of signs/the shape of the boundary you leave behind/so sing all your questions to sleep/the answers are out there in the drowning deep.” Clearly, Teng took more than a few lit and poetry classes at Stanford. Teng's piano playing bests Carlton's and Alicia Keys'. Next is the Vanessa Carlton-esque “Harbor.” Make no mistake, though. The album opens with “Feather Moon,” a moody, piano-driven hymn that climaxes with a moving string arrangement. Her brilliant instrumentals and siren-like voice enchant listeners in a coffee-shop symphony. Unlike most music these days, Teng doesn't let flashy production eclipse her musical ability. Re-enter Warm Strangers, which promises to launch Teng into mainstream stardom. Of Waking Hour, David Letterman said, “…there's not a dud on this. She quickly landed appearances on National Public Radio and the The Late Show. In 2002, she released Waking Hour, produced with fellow Stanford alumnus, Eric Miller. Just six months after joining Cisco, Teng quit to pursue her passion of music. However, this is where Teng's life diverts from the stereotypical, Asian-American experience. Upon graduating from Stanford University with a degree in computer science, Teng briefly took an engineering position with Cisco Systems. For one, Teng encompasses both talent and intelligence. Nay, there isn't much you can ridicule about Vienna Teng. Like her peers in other industries (Joseph Kahn, Justin Lin, the Giant Robot guys) Teng is part of a slowly growing movement of “Asians-as-cool.” This comes as a great relief to those of us who cringe at the sight of William Hung being ridiculed on American Idol, or the appalling “Gay or Asian?” feature in this month's Details magazine. Warm Strangers' release marks the emergence of a new generation of aspiring, Asian-American performance-artists. In this sophomore album, Teng combines silky-smooth vocals with elegant, classically-inspired instrumentals. Sarah McLachlan, Norah Jones, and (insert your favorite, female singer/songwriter here) comparisons aside, Vienna Teng's, Warm Strangers is a unique fusion of classical sophistication and folk idyll.
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